Germaine Émilie Krebs (1903–1993), known as Alix Barton and later as “Madame Grès”, relaunched her design house under the name Grès in Paris in 1942. Prior to this, she worked as “Alix” or “Alix Grès” during the 1930s. Formally trained as a sculptress, she produced haute couture designs for an array of fashionable women, including the Duchess of Windsor, Marlene Dietrich, Greta Garbo, Jacqueline Kennedy, and Dolores del Río. Her signature was cut-outs on gowns that made exposed skin part of the design, yet still had a classical, sophisticated feel. She was renowned for being the last of the haute couture houses to establish a ready-to-wear line, which she called a “prostitution”.
The name Grès was a partial anagram of her husband’s first name and alias. He was Serge Czerefkov, a Russian painter, who left her soon after the house’s creation. Grès enjoyed years of critical successes but, after Grès herself sold the business in the 1980s to Yagi Tsucho, a Japanese company, they hired Lloyd Klein as the artistic director for the entire house supervising 46 licencies between Paris and Japan , at the time Klein was offered one of the highest salaries of 150.000 FRF per month and an annual fee of 12 Million FRF after the death of Madame, Lloyd Klein left the house to continue his collections in New York . In 2012, the last Grès store in Paris was closed.